Complementing Dorothee Sauter's first solo exhibition 'Geology, Cooking Heart, Curious and other stories' in Basel which opens on Friday 11 June, we are very happy to announce the launch of her artist website, a collaboration with the curator of the exhibition Angelika Li :
We are very delighted to share with you that the new chapter of Homeland in Transit: 'Through the Clouds' featuring works by Hong Kong artists Luke Ching, Lo Lai Lai Natalie and Yim Sui Fong will open this Friday 4 June through 22 July at Ein Fenster inmitten der Welt, a window in the middle of the world, situated in a natural reserve forest area near Stuttgart, with two interfaces: one to the real world, one to the virtual.
This exhibition will be shown in parallel at Momentum, Kunstquartier Bethanien in Berlin from 11 to 25 July 2021, also with an online viewing platform during the exhibition period. Stay tuned for more updates! For the German press release from Ein Fenster inmitten der Welt and the English Info Pack with the curatorial essay and artist biographies, please press here.
Luke Ching Lo Lai Lai Natalie Yim Sui Fong
I N V I T A T I O N
We are very excited to announce the first solo exhibition of Dorothee Sauter in Basel. Her latest body of work - dynamic and enigmatic sculptures - will be presented in “Geology, Cooking Heart, Curious and other stories” at our project space in the Old Town of Basel, opening on 11 June and running until 26 June. Online viewing will be available from 15 June. We look forward to welcoming you at the exhibition!
Vernissage: Friday 11 June 2021 16h – 20h
Exhibition: 12 - 26 June 2021, Basel
Opening hours: Thursdays - Saturdays 13h – 19h
Pfeffergässlein 25 (via Nadelberg 33), 4051 Basel, Switzerland
Curator: Angelika Li
More info: www.onkili.com
Enquiry: info@onkili.com +41 7678 1 7678
E X H I B I T I O N
Dorothee Sauter’s solo exhibition “Geology, Cooking Heart, Curious and other stories” (Basel, 2021) offers an extraordinary landscape populated by ambiguous free life forms. One may wonder if the scene is terrestrial or underwater? A myriad of mind games. The enigmatic sculptures stand as a cluster with their own wills: breathing, yelling, grasping; mouths, eyes, ears; protuberances, limbs, phalli; outward, inward, gesturing an urgency of energy discharge, if not explosion. Our eyes drift along these tentacular movements which suggest a potent life force with immense resilience and willpower. The colours are unmanipulated raw pigments from different continents, disarming in their utmost honesty. Placed together they create an almost-palpable fluctuation in atmosphere and temperature. Are they vessels carrying distant ancestral memories, dwellings inhabited by organisms beforetime, rhizomes in evolution, symbols of fertility or a group of quasi-objects extending from Bruno Latour’s concept of a ‘parliament of things’? Sauter wittily muddles our sense of time, shifting prehistory and future.
Staying curious, Sauter’s technical interest is geared towards the properties and transformation of clay minerals, metal oxides and the vitreous state of rocks, with aspirations to bring together testimonies from completely different geological time periods into her work. To Sauter, her sculptures are films for the mind’s eye: fragments of memory whether conscious or subconscious, moments in a lecture, images in the newspaper, something she has seen but cannot fully understand, stimulation by science and literature. Her goal is not only the finished sculptures and vessels, it is also her developing process: the peculiar poetry of becoming, the dance between intent and chance.
Excerpt from the curatorial essay by Angelika Li
For more information about the exhibition and artist biography, please click here to link to our website.
Image above:
Cooking heart , 2021, fired clay, pigments, 40 x 15 x 11 cm, detail, photo: Marco Schibig
